nothing to see here

It seems timely to read about America’s past experience with unjust detention of people based on perceived threats to national security, so last night I finished Together in Manzanar by Tracy Slater, a true story about one of the families in a Japanese internment camp during WWII. The situation of the Yonedas was somewhat unusual as they were a mixed-race family—Karl Yoneda was a Japanese-American citizen and his wife Elaine was white and Jewish.

The Yonedas make for a very interesting case study in what happened in the camps because a) their mixed-race family status (including their 3-year-old son, Tommy) made it clear how little the American military had really thought about this plan, given how thrown-off they were by the mere existence of mixed-raced families; and b) Karl and Elaine had been vocal social activists well before they were imprisoned in the Manzanar camp, speaking up for labor rights, racial justice, and participating in Communist advocacy. They had the language, tools, and knowledge to speak up and speak out, and they did.

Slater has done her research and provides a thorough list of sources at the end of the book, which include interviews with the Yonedas’ grandchildren as well as their own diaries and news clippings.

Together in Manzanar provides an in-depth look at the politics within the Japanese-American community at this time, both leading up to the camps and within. It ably tackles the question of “Why did they go? Why wasn’t there resistance?” (There was.) For the Yonedas in particular, the importance of an Axis defeat was difficult to overstate: as horror stories of German atrocities in Europe began to trickle out, they knew that a German or Japanese take-over of the United States would almost undoubtedly lead to Elaine and their son Tommy going into a death camp.

It provides a three-dimensional look at the discussions on the ground at the time, as well as following up with details from interviews Karl and Elaine gave many years later reflecting back on their statements and advocacy at the time.

I wasn’t a huge fan of the writing style, but this is one of those books you read for content, not style. It jumps around from perspectives in a way that’s occasionally confusing, but I also appreciated getting some more background information on some of those in the camp who opposed the Yonedas’ view on cooperating with the US government. Slater does a good job showing how each person highlighted got to their perspective and why the tension both within the camps and in the world generally at the time put everyone so on edge.

The book is also helpful for reminding us of the names of the hateful racists (architect Karl Bendetsen) who propagated this plan and then later tried to lie about why it was implemented or how bad it was. It’s also a useful reminder that when these people were released, they didn’t get to just waltz back into the lives they had been living before being imprisoned. Many of them were forcibly resettled further into the US, away from the coastal cities where they had lived, and forced to restart their lives from scratch, away from their communities and businesses.

It just seemed like a particularly relevant time to remember this.

Title: Cuckoo
Author: Gretchen Felker-Martin
Genre: Horror

Wrapped up yet another horror novel last night, Gretchen Felker-Martin’s Cuckoo. This book is about a group of kids in 1995 who are sent to a conversion camp, experience The Horrors, and then reunite many years later to have another crack at taking The Horrors down.

First, I have to say the decision to set a horror novel in a conversion camp is kind of galaxy-brained, because it is a place that by design is traumatizing and horrifying. This book will make your skin crawl and your eyes tear up well before the monster enters the scene. There are seven protagonists and they come from all walks of life—gay kids, trans kids, kids from Christian families, kids from Jewish families, white kids, Asian kids, Latino kids, fat kids, mentally ill kids—but they all come from families who were willing to stuff them, sobbing and kicking and begging, into the back of a van and ship them off with a bunch of strangers to be “cured.”

And then there’s the monsters.

Generally I’m not a fan of “body snatcher” kind of horror stories, in the same way I’m not a fan of conspiracy theory stories, but I think it largely works here, because this is what the families want isn’t it? For their problem child to go away for a while and come back a new person, without all those icky traits mom and dad didn’t want. For the teens, watching the queer kids around them succumb to “curing” would feel like a kind of body-snatching—who are you and what have you done with the queer person I knew?

The book is also very gross, and I mean that not pejoratively, but factually. If you have a low tolerance for grossness, this one may not be for you. The monster and its ilk are nasty galore (see minor complaint below) and Felker-Martin does not pull punches about the grossness of human existence, particularly as an angry, horny, repressed teenager in a desperate situation. The characters here puke, piss, make out in public bathrooms, masturbate amidst their sleeping peers, eat pussy during menstruation, and are generally grody in the way teenagers are grody. I think grounding the book in these bodily realities works well given the nature of the horror, which is incredibly personal and physical.

I liked the teens themselves and I felt like they represented a decent spread of attitudes and behaviors from people in circumstances both similar and diverse. They exhibit many of the kinds of irritating and off-putting behaviors you’d expect from a group of young people who’ve already learned they must hide their true selves or be punished for it.

There were a couple of things that didn’t totally land for me though. First, I think the descriptions of the monster(s) are overdone sometimes. Not because it grossed me out too much but because yes okay, we get it, the thing is nasty, it’s ugly, it smells bad, it’s inchoate; can we move on? Also, I never felt like I had a real idea of what the thing(s) looked like, despite all the descriptions.

Second, the book jacket description makes it sound like the majority of the book will be the teens as adults, returning to the horrors they faced when they were young, but two thirds or more of the book is the actual events of the conversion camp. It makes the final third in their adulthood feel somewhat rushed.

However, on the whole, I liked this book and I’d be open to reading more from Felker-Martin. There are so many moments here where you want to hug these kids and take them somewhere safe, and I enjoyed the book’s balance of the power of love with the grim reality of the cost of life.